Szindbád is a
1971 film based on the Szindbád- short stories by Gyula Krúdy. It was directed
by Zoltán Huszárik with the cinematographic work of Sándor Sára. This was the
director’s first feature length film, and gained recognition both among critics
and the audience.
As Krúdy’s style in literature
shared the characteristics of several literary movements such as secession,
surrealism, late romanticism, impressionism, symbolism and realism, his works
combine associations with time, moods, feelings and strong impressions without
an elaborate plot.
The film genuinely reflects these
features of the writer’s style and without a particular plot it rather plays
with the writer’s poetic prose concerning the dialogues and the monologues in
the film. The fragmented language of the film is transferred from the several
short stories about Szindbád’s adventures. Thus the dialogues and monologues
might be confusing and distinct from one another as they are not part of the sequence
of the plot. There is no chronological order that develops the narrative. The
line between life and death are blurred, time becomes elastic and past and
present collide in the visions of Szindbád.
The film is built on impressions
that stimulate the senses. The films is a visually gripping experience that
employs close ups and macros of food, flowers, raindrops. It was mainly shot in
Czechoslovakia with beautiful and authentic places which honestly preserved
their 19th century looks. The elegance of old times, saturated
colours, imaginary pictures and tale-like scenes greatly give back the
impression of Krúdy’s works. The
vintage mood of the films is not only reflected in the visuals but also in the
nostalgic, melancholy nature of the film which features and old man meditating
on his life and memories on the brink of death.
Huszárik’s film is rightly regarded
as a masterpiece in Hungarian cinematography. The success and masterly nature
of the film are also owing to the cast. The role of Szindbád was cast on iconic
actor Zoltán Latinovits, and the main female characters were Éva Ruttkai,
Margit Dayka and Anna Nagy. All in all, the film is a treat for the senses with
its painterly pictures and its poetic language.
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